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| Long Live the Circus! Choreography by The Ensemble Photo Credit: Marc J Chalifoux, 2014 |
When you’re a dancer with Orchesis Modern Dance, in
Edmonton, Alberta, Canada, you know the end of January means only one thing –
time for Motif!
On January 30-31 2015, Orchesis will present its annual
Dance Motif, a performance of the modern and jazz dances choreographed by
Orchesis faculty, guest choreographers and students. This year’s Dance Motif,
however, is very special because it marks Orchesis’ 50th anniversary
as the University of Alberta’s Modern Dance Group. It was created by “dance educator
Dorothy Harris in 1964” and it’s “one of the oldest student organizations” at
the U of A.
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| Long Live the Circus! Choreography by The Ensemble Photo Credit: Marc J Chalifoux, 2014 |
I loved dancing with Orchesis and thinking about my dance family getting ready for the 50th anniversary show has me feeling my first big pangs of homesickness. I so wish I could be there to help them celebrate! But since I can’t be there, to honor the organization that means so much to so many, I’m excited to share my favorite memories of Orchesis with you. So here they are, in no particular order, and I hope you enjoy this birthday ode to Orchesis.
Being
introduced to Modern Dance
I was 14 years old when I watched my first Orchesis Motif
back in 1999. I remember sitting in the Myer Horowitz theatre with my parents,
watching my big sister Salena in a piece called ‘Shadow Dance’. There were
lights in the wings and on the corners of the stage, so the shadows of the
dancers were cast on the backdrop, hence the title of the piece. It was a
beautiful sight – the way the shadows became ghostly partners of the dancers.
It was the first time I’d really seen how the lighting design can support the
choreography onstage and take the performance to next level. It was so
different and exciting and I wanted to see more.
The next year’s show was also very memorable. It was the
first time my sister’s then-boyfriend-now-husband came to the show and I’ll
never forget how he set the bar super high for all dance boyfriends when he
walked into the theatre with - not one - but two dozen roses! That show had
dancers swinging from a huge net strung across the stage, musicians
accompanying the dancers onstage and a piece involving dancers painted head to
toe to represent the various elements of the world. Salena was painted blue,
like water. It was dance at its most different and distinct and it opened my teenaged
eyes to a whole new world.
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| Salena and I in our natural habitat: a dance studio! August 2014 |
Getting
to dance with my sister
There’s almost six years age difference between me and
Salena, so when we were dancing growing up, we were obviously in different
levels. But when I joined Orchesis during my first year at U of A, I finally
got to take class with her! She introduced me to the Orchesis community and in
2006, we were both in the modern jazz piece, choreographed by the great Laura
Krewski. When our parents came to the show, our Mom said it was a special
thrill to see her girls dancing side by side. We’ve since enjoyed many more
Orchesis classes together over the years, as well as ballet and contemporary at
J’adore Dance. I can’t wait to take her to class at the Centre de Danse du
Marais when she comes to visit because dance is what we do! Salena will be
performing in Motif 2015 and I couldn’t be more proud of her.
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| Karen and I backstage at Motif 2009 Photo Credit: Fiona Williams |
Meeting
some of my closest friends
One thing I learned in Orchesis is you can’t not
be friends with someone after you’ve pretended to be seaweed together. I
remember it so clearly: we were halfway through the rehearsal process when our
choreographer had us hold our shoulder-stands and let our legs “drift above us in
the air, like seaweed”. I was very firmly out of my comfort zone but I went for
it. After several attempts, we took a break and I asked another dancer: “That
was weird for you too, right? Being seaweed? Because I thought that was weird.”
She nodded in agreement and that was the beginning of a very important friendship;
eight years later, that other dancer was one of the bridesmaids at my wedding.
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| Strollin' Choreography by Laura Krewski Photo Credit: Bryn Bezaire, 2008 |
When I think back on the people I met at university, the
ones I’m still close to are my Orchesis people. When someone trusts you enough
to let you stomp around them when they’re lying on the floor, that’s not just
any friendship, that’s a dance friendship. When you’re tired, sweaty, sore and
you want to give up, but you don’t because your fellow dancers give you that
extra bit of energy, that’s when you know you’re around amazing dance people
and those are the bonds of friendship forged in dance.
Learning,
growing and creating!
Orchesis has some of Edmonton’s best dance educators and
choreographers, which makes its members incredibly lucky to work with such
amazing people. Over the years, I’ve taken modern and jazz from many different
teachers and learned so much from them.
Working with different choreographers for Motif has also given me so many great memories.
Working with different choreographers for Motif has also given me so many great memories.
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| Prenzlauerberg Choreography by Jeannie Vandekerkove Photo Credit: J. Teres, 2009 |
The year Laura Krewski choreographed a beautiful, bluesy
jazz piece to selections from Oscar Peterson’s Canadiana Suite was one of my favorite jazz dance experiences. I
was really pushed by Jeannie Vandekerhove’s piece Prenzlauerberg, which involved some of the most physical,
get-into-the-floor choreography I’ve ever performed and holds the record for
the most knee bruises I’ve ever received while dancing. I attended the Orchesis
Summer Dance Intensive in 2011 and absolutely loved the different jazz styles –
funk, swing, African, lyrical - taught by Decidedly Jazz’s Sarisa Figueroa de
Toledo. Kathy Metzger-Corriveau’s piece in 2013 was a great technical challenge
and gave me some great jumping moments, and collectively choreographing Long Live the Circus, under the guidance
of my friend and fellow drama teacher Fiona Williams, was the highlight of
Motif 2014. Every year at Orchesis, I learned more about dance, I grew as a
dancer and I was part of some amazing dance creations and for all that, I am so
thankful.
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| Emergence: From Water to Earth Choreography by Kathy Metzger-Corriveau Photo Credit: Tracey Kolenchuk, 2012 |
And
finally, there’s no party like a Dance Party!
As a drama major and a director, I’ve been to many
closing night parties but Orchesis closing night parties are truly the best –
hands down! The dance floor is packed almost all night, choreography is
re-enacted and Thriller is performed with astonishing accuracy. There really is
no party like a dance party!
To all the members of the Orchesis family, I wish you all
the best for a wonderful run of Motif 2015! Know that when you lock pinky
fingers in your circles backstage, I’m thinking of you and cheering you on from
France.
